Maybe it’s different if your nearest city is some car hell hole instead of New York.

So, basically every city not on the eastern seaboard, lol.

This is one of the ones I always wanted to get around to watching, but never did.

I immediately went to Crunchyroll to add it to my watch list.

Then I came back, dejected, and saw you already pointed it out. Salt in the wound.

Yup. I got nothing against Wayland, but been waiting on this particular use case to get tooling for years now.

That, and it was slightly more justifiable when these companies were first setting up and operating networks for the services and matchmaking. Economies of scale should have nullified that by now, though.

The other big one I don’t see people mentioning, but that I remember clearly, was that if you wanted to use Netflix on 360, you had to pay for Live. I think that, above anything else in my friend group, was the move that normalized paying for online services on a console.

Client machine is a Windows box, and I can’t change that, unfortunately.

I haven’t tried it yet because it appears to be a client, and my Linux machine is the synergy server in my setup (work windows laptop is the client).

It’s just a really solid action movie with some creative fight choreography, and honestly, that’s enough. It doesn’t need to be more; that whole school of “do one thing, and do it well”.

There a synergy/barrier replacement working on Wayland yet?

No?

Then I guess Wayland isn’t ready yet.

Heh, fair 'nuff. I’m pretty agnostic most of the time, unless a particular show has a known “better” version. For example, IMO, Cowboy Bebop (of course), Trigun, and Cyberpunk: Edgerunners are all fantastic English dubs, but as counter examples I can’t stand the English dubs of Naruto or FLCL, off the top of my head.

At first, we grumbled but did it because we knew that running the services had a cost. Then it got normalized. “Eh, it’s the price of one game a year, and I get to play whatever online and get three ‘free’ games a month, so it’s a good deal.”

Now, it’s not a good deal anymore, at least for me. Hit the “Cancel” button on my sub not 5 minutes ago.

I grew up on consoles, spent my teens on PC, and my adult life I’ve always kept both around, because I love games, regardless of where they are, but yeah. Most of my multiplayer was already on PC, this just solidifies my PS5 as a media/single player game appliance.

But which is better for this show (in your opinion)?

Added to my watchlist, which is getting very long, lol.

Veeeeeeery interesting! I haven’t kept up on Warframe, but this looks to me like a big nod to Dark Sector, the studio’s first attempt at a “Warframe” style game that ended up getting scoped down into a weird single-player game. But, most of the design language and ideas of Warframe came from Dark Sector first. I wonder if this is them finally making some explicit in-universe connections to the two games, as opposed to spiritual nods and references?

Oh, and anyone who hasn’t seen it, NoClip’s documentary series on Warframe is a great watch, even if you have no interest in the game itself: https://www.youtube.com/playlist?list=PL-THgg8QnvU7Weo1mCM9H2AXljC7UrDm8

That’s right, they cancelled The Peripheral but we’re getting more Upload.

Pretty sure Upload filmed quite some time ago, it was probably better calculus to just finish editing and SFX work and release it, vs Peripheral being to early in production and delayed indefinitely by the strikes.

I mean, I’d rather have both, but I can see the potential logic.

Per Wikipedia:

According to reports at the time of the production and interviews with some members of the cast and crew, the original version of the movie had a disastrous test screening, so producer Ronald Shusett was brought in to re-shoot around 40% of the movie and add more character scenes and humor. Emilio Estevez also mentioned how director Geoff Murphy let them down by focusing too much on action in his original cut of the film. Geoff Murphy claims that there was interference from production company Morgan Creek and that he asked for his possessory credit to be removed.[2]

https://en.wikipedia.org/wiki/Freejack#Production

I always liked it as a kid, but yeah, it’s clearly a movie that had a lot of trouble and the results speak for themselves. It’s a neat idea, at least.

My thoughts exactly. What am I supposed to do now, read the books?

(I may, tv’s just so much easier than finding time to read, lol)

You know, I’m pretty sure that I watched this movie, forgot all about it, watched it a second time, turned to my wife halfway through and asked, “Have we seen this before?”, and we eventually decided we had, but finished watching it again anyway.

And right now, I can’t tell you a GD thing about it other than Clive Owen was in it.

Huh. I was watching that one when it aired, and I didn’t even notice, due to the mostly episodic nature of it. Not surprised, given Fox’s history (Browncoats will never forgive and never forget), but somehow it snuck by me.

Way more upset it didn’t get renewed. I’m a bit of an Urban fanboy and was really enjoying the show.

…guess I’ll go watch Doom again.

I ran Gentoo for years. I run Arch now.

You’re not wrong, lol.

'Course, I was running Gentoo when hardware was slow enough that you could see the real-time performance improvement from tailored compiles. Now shit’s so fast that any gains are imperceptible by a human for day-to-day desktop usage. Arch can also be a bit of a time sink, I get it, especially setting it up takes time and thought. That’s also why I like it, and always come back to it: I can set it up exactly how I want it, and it’s really good at that. There’s always weird shit that seems to happen to me when I try to remove Gnome in Ubuntu or other crazy shit that, yeah, everyone would tell you not to do, but Arch doesn’t care. If I want combination of things, I can hunt for a distro that has it, or I can likely just set it up on Arch.

After setup, though, it’s not any more effort to maintain than any other distro. shrug

I have nothing to add buy my upvote. It’s not the traditional cyberpunk aesthetic, but it’s absolutely cyberpunk themes.

I largely agree with this. It’s a shame that S2 ended on a cliffhanger where they were finally getting into the sci-fi questions.

Light Spoilers, though they may make the show more interesting if you’re on the fence:

That’s all from memory, so I may have mucked up a detail or two, but by the end I was really interested to see where it was all going. The show could be really smart when it wanted to, which is why it’s a shame that it mostly wants to meander through a slow-paced will-they-won’t-they for two seasons instead of getting into the meat of things. Maybe they felt they had to make it more “accessible” and sneak the cyberpunk in?

I dunno.

It was greenlit for a third season, and recent news reports indicate it was still coming (all prior to the current strikes), so maybe we’ll get a conclusion? I’ll certainly watch it when it drops.